Sierra becomes the immediate focus of this week’s episode as we flash back in to her past. Apparently she is a starving Australian artist named Priya. Nolan, the man interested in her, is a Rossum executive and rather important scientist in the doll program.
It goes to the point that the art show Nolan puts on seems to be an elaborate hoax produced by Rossum. Unfortunately she doesn’t show a hint of interest which leads to her new role as Sierra. He continues to manipulate her now that he can easily seduce her whenever he pleases. And that’s just the set-up.
Topher quickly uncovers the reason for Sierra’s distress, but it only comes to bring out how big of rat bastards Rossum as a whole actually are. We also learn why this effects the normally calm Topher so much: he believed he was helping Priya when he turned her in to Sierra.
Topher goes in to business for himself and imprints Priya with her own memory. The imprint doesn’t do anything to break down her relationship with Victor which is another interesting statement on how poor the doll-making process actually seems to be.
Nolan and Priya fight until Priya stabs the sick bastard to death. Topher, and then Boyd show up after the death and go to work disposing of the corpse by dissolving it in the bathtub. Boyd is nothing if not disturbingly professional.
Boyd also seems to be in business for himself as he also learns of Echo’s own memory issues. It’s good to see Boyd actually get to be the smart character he was for most of the first season. He goes as far as to leave Echo a security badge.
Interesting note: this episode was directed by actor turned director Jonathan “Commander William Riker” Frakes. Good to see him working on some genre television again.
“Belonging” proved to be one of the best episodes of this series so far.